Love Parade (2025)

Two dancers lit in magenta against a black background, arms outstretched

Credits

Idea and choreography: Glenda Gheller | Dramaturgy: Glenda Gheller with the collaboration of Sergio Campisi | Production: ocram dance movement in collaboration with Scenario Pubblico Centro di Rilevante Interesse Nazionale | Original music: Michele Piccolo and Massimo Lievore | Costume consultancy: Adriano Popolo Rubbio | Costume Creation: Gabriella Palomba | Graphic designer: Leonardo De Santis

Synopsis

Love Parade unfolds as a procession of images navigating love in all its complexity and contradictions.

A silent exchange begins between two bodies, connected by the shadows of the past and an intangible future, they are striving to dialogue, fully embracing the only space they can truly inhabit together: the present moment.

Through moments of proximity and distance, convergence and divergence, their relationship is constantly shifting. Fleeting images surface and dissolve, opening spaces of possibility where tenderness, vulnerability, longing, and loss become inseparable.

The work explores how love is shaped by vulnerability and care, suspended between the desire for belonging and the fear of being left behind. From this evolving landscape, love expands beyond the individual. A multitude of voices gathers into a collective chant, an anthem of diversity and inclusion. A powerful whirlwind of movement becomes a liberating, wholehearted cry for universal love.

 

References:

Love Parade unfolds as a procession of images navigating love in all its complexity and Love Parade reflects, in its present unfolding, the struggles and battles that shaped past cultural movements, from the ballroom scene of 1980s New York, where queer minorities engaged in catwalk competitions as acts of identity affirmation and artistic expression, to the Love Parade events of 1990s Berlin, where rhythm and movement were acts of manifestation for peace, unity, and love without labels and restrictions.

In dialogue with these legacies, the work engages with bell hooks’s reflections on love as a political and relational practice, and turns toward our contemporary reality through the question: “Why are we still afraid to talk about love?” (bell hooks, All About Love: New Visions, 2000). This question opens a space of possibility for love’s return to the centre of human experience, beyond idealisation and conventional representations.

Choreographic work finalist for the Prospettiva Danza 2025 Award, selected for This Must Be The Space, Dance Days Chania and for the Anticorpi XL 2026 showcase of young dance artists.

Scheduled Events

September 22, 2026 _ International Premiere
“Istanbul Fringe Festival”, Istanbul
 
September 27, 2026 _ national premiere

Vetrina Italia Domani (MILANoLTRE festival), Milan 

 

Event History

September 12, 2026 _ preview
Mutiny Festival, Ravenna
 
September 11, 2026 _ preview
Bozzoli Festival, Rho
 
September 9, 2026 _ preview
This Must Be the Space (Summer Dance Festival), Bergamo
 
July 28, 2026 _ International Premiere
“Dance Days Chania”, Crete
 
July 18, 2026 _ preview

“Sirene – performing arts festival”, Bisceglie

October 31, 2025 _ studio preview
“Foligno Dance Festival”, Auditorium S. Dominico, Foligno 
September 27, 2025 _ studio preview
“Platform 14 dance festival”, Uferstudios, Berlin 
May 10 – 11, 2025 _ studio preview 
“Prospettiva Danza Teatro Award”, Ridotto Teatro Verdi, Padua – preview of the first study
May 2, 2025 _ open door
“Fic festival” Scenario Pubblico, Catania – first study preview)
February 28, 2025 _ open door
Scenario Pubblico, Catania